Simon Amstell's New Show: A Detour That's Not So Different After All

When it comes to comedy that mingles neurotic self-analysis with a sharp wit, Simon Amstell’s name frequently arises. His latest show, “I Love It Here,” was touted as a significant shift from his usual style, but fans familiar with Amstell might find it settling back into known themes.

A Promised Departure?

The publicity promised a new direction, yet Amstell delves deep into his signature blend of self-reflection and personal anecdotes. The core narrative unfolds at a glamorous Hollywood party, peeling layers off an unreciprocated crush on a renowned pop singer. It’s quintessential Amstell, making light of his ponderous insights, yet the anticipated ‘departure’ seems overshadowed by the familiar.

Caught in Reflexivity

For fans who relish Amstell’s deep exploration of personal idiosyncrasies, the new material will feel like a comforting return to form. In the show, he navigates his emotions and interactions at the party—where celebrities like Baz Luhrmann and Viola Davis hover—and the laughter cascades from his deadpan delivery. But whether this recurring motif satiates the craving for novelty is subjective.

The Melancholic Edge

In sections like his witty take on Mel Robbins’ self-help manifesto, Amstell’s humor radiates. A running joke showcases his penchant for distributing forgiveness to the undeserving—a mirthful stab at society’s villains. The light-hearted scrutiny of his fading fame adds a poignant touch, hinting at a deeper existential musing: “How does one sustain relevance amidst an ever-renewing world?”

Still Searching for a New Journey

While the declared aim was to steer away from the norm, “I Love It Here” wraps itself in the comfort of introspectiveness and humor that audiences expect. It’s an entertaining, though not revolutionary, traversal of the landscape where comedy meets soulful examination. As Amstell admits, “I’m not a desperate 17-year-old anymore,” the audience is left yearning for a transformation as profound as this retrospection.

Amstell delivers laughter and introspection, but whether his creative journey demands more radical exploration remains a question for future acts. According to The Guardian, for now, Amstell’s comedy is less about the destination and more about savoring the journey with all its familiar, quirky detours.